An acrylic cylinder, like a piece of amber freezing time, places the history of human clothing under a microscope—when clothing is no longer merely for covering the body, but a living slice of civilization, we are deconstructing the second skin that envelops body and soul, and the code of self-expression spanning millennia.

The clothing in the display case is a "walking paradox of civilization." "Deconstruction" is the scalpel, dissecting the symbiotic relationship between clothing and civilization. Transforming the future museum into a wearable time-space laboratory, in the collision of technology and humanities,

allows clothing to become a fluid carrier of human self-awareness.